


More often than not, Vainio simply throws out a hodgepodge of sounds that, at best, are interesting for the first minute or so and then fade nicely into the background. But those are few and far between, and often come only after the listener strains to hear something worthwhile (an endeavor that quickly grows tiresome). However, nothing of real import or depth ever emerges as the sounds never coalesce into anything with any real substance or meaning.Īt times, you might hear something vaguely fascinating, such as the trumpet-like noises wheezing off in the distance at one point. Vainio shifts directions at will throughout the track’s 11 movements, employing answering machine beeps and modem noises one minute while creating a dense thicket of static bursts and crackles the next.
MIKA VAINIO ONKO RARLAB MOVIE
But, like a mediocre movie soundtrack stripped of its visuals, the track quickly becomes monotonous when heard on a CD. In a context like that, I could see Onko providing some interesting auditory backdrops that enhance the experience of exploring the installation. Perhaps an installation composed of odd bits and pieces of circuitry, cathode ray tubes displaying nothing but blobs of green static, melted Pentium chips, and the innards of a dozen Casio keyboards all pulsing and throbbing together in an attempt to explore the role of decrepit technology in today’s fast-paced society. I think the widely spaced tones, echoing shuffles, and reverberating tick-tocks would provide a suitable backdrop for something you’d find at the MOMA. It’s not surprising that the title track was originally recorded for use in an “art happening,” as the entire album has that feel. Even fans of this stuff might find their patience tried as they try to make their way through Onko’s 67 meandering minutes. Suffice to say, neither one of those reactions are stirred up by Onko. Such sonic elements can create intriguing soundscapes that challenge the imagination and boggle the mind. However, here Vainio presents an electronic album that is as minimal as can be (or pretty darn close), composed of low-frequency drones, beeps, static snaps and crackles, various hums and whirs, and other sonic doodles. Vainio is perhaps best known for his work in minimal electro-soundsmiths Pan(a)Sonic. 'Static and rumblings from the heaving netherworld of electronic sound experimentation.Onko is Panasonic man Mika Vainio's first release under his own name.Onko was originally released in 1997, as Mika Vainio’s first solo album for Touch.

Stream Onko by Mika Vainio and tens of millions of other songs on all your devices with Amazon Music Unlimited. Sizzla The Story Unfolds Rare.Īrtist: Mika VainioFormat: CD - Touch - UK 1997Recorded 1997 except 3made in 1996 as a sound installationfor an art happening in HollandAll tracks. Though the first half of resembles other of almost artless experiments in discreet electronics, the latter segment of the title track and the concluding 'Viher' focus in on microcosmic melodies and structural dynamics typically absent from tracks, numbering them among his most listenable and engaging to date. While most of recordings are concerned, to greater or lesser degree, with the musical implications of residual electronics - static, electronic noise, digital artifacts, and so on - opens out treatment of these elements onto wider compositional terrain, building a sense of movement and (admittedly monochromatic) form from the most sparing of features. Buffett The Making Of An American Capitalist Epub Files. Of rapidly expanding catalog, is one of his broader, more varied works. It is a very sad day to not only lose a cornerstone of Finnish music, but to also lose such a constant driving force in experimental music as a whole. He kept on honing his craft until he died which is the very definition of admirable dedication. Mika was and will undoubtedly be the most important and influential figure in Finnish electronic music history for generations, either directly or indirectly influencing every single modern electronic musician in the country, not to mention many abroad. Vainio then established a successful solo career, often collaborating with experimental French composer. Sami Salo left Pan Sonic in 1996 and the project continued as a duo until disbanding in 2009.
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Free Download Organic Chemistry Loudon 5th Edition Programs To Help. In 1993, together with and, he founded the minimal electronic group. He began his musical career playing electronics and drums as part of the early Finnish industrial and noise scene. Mika Vainio (born 1963, Helsinki, Finland - died 13 April, 2017, France, aged 53) was a Finnish electronic musician, composer and producer.
